Mature Long Legs Crossed Dangling Black Mule Heels

The dangle at crossed height. Crossed legs add distance between the dangling shoe and the floor. On a 5’9″ frame the shoe hangs high enough that the camera can sit at knee level and still look up at the sole of the mule and the arch inside it. The swing is slow, controlled by nothing more than gravity and the small flex of her toes. When she uncrosses and re-crosses, the shoe settles into a new rhythm on the other foot.

The mule as a frame for the arch. Open-toe mules show more foot than closed pumps. The thin strap crosses just below the toe line and leaves the entire top of the foot and the arch exposed on both sides. Every time the heel lifts out of the mule you see the full length of the sole from toe to heel before it drops back. Red toenail tips flash at the front of the strap with each forward swing.

The straight hair difference. In this video Loretta wears her hair straightened and long instead of curled. It changes the silhouette against the tufted velvet behind her and gives the frame a sleeker line from shoulder to ankle. The cocktail dress and gold belt add a formal register that her other videos, shot in tops and skirts, do not carry.

The studio at the edge. A metal industrial staircase is visible through a glass door to the right. Photography equipment on wheels sits behind the sofa. The pink Chesterfield looks like it was placed in the middle of a warehouse and asked to be elegant. It succeeds because Loretta’s legs do most of the work.

Six minutes of crossed legs and one mule that keeps coming back to the same slow arc.